Author Archives: Tony Burt

Monica Is Taller Than Me by Tony Burt

One of the best received songs on my People Watching CD is Monica Is Taller Than Me. I wrote a blog post with some info on the writing of the song a few years back and a minimally updated version can be viewed below.

This includes a very early demo version of the song and I found it interesting to compare with the final version from the CD which is availble below:

moniack mhor 2014On the 1st November 2014 I left the tranquility of Moniack Mhor, near Inverness, to head back home to reality.

Moniack is used mainly as a writers’ centre but a couple of times a year it is used for songwriting workshops. A wonderful experience I will come back to in a forthcoming post but suffice it to say I’d spent a great week with a bunch of fellow songwriters led and inspired by Boo Hewerdine and Edwina Hayes.

It’s a fair old drive back south so I had booked into a small pub/hotel in the Scottish Borders for the Saturday night. During the 6 hour drive I re-visited many of the events and learnings of the previous week and made resolutions to take my songwriting forward in a variety of ways. Driving through beautiful countryside, in no rush, is a great way of getting thoughts together.

I arrived at 4.00 pm, had a beer while watching footie results, then a shower and then a doze. My head was still full of songwriting and I started writing a song in my room, still unfinished now, but let’s not worry about that.

With this half written I went down to the restaurant, notebook and pen in hand, and finished the first pass at the lyrics. And then I started another, now called “Monica Is Taller Than Me”. I won’t tell the whole story (the song does that) but it was triggered by the sight of the waitress passing through the room. My first thought was “Isn’t she tall!” followed by “Calm down, too young, too beautiful and definitely too tall”.

By the end of the evening the words were pretty well complete but no tune started. So there the words sat until I got home to Bromyard when I picked it up again and, Hey Presto, I finished it off and got a rough recording together .

As I listened to it I noticed I’d picked up on a few bits of advice from the songwriting workshop. Boo had suggested making songs personal, which is why she is “Monica” and not “the waitress”; he also suggested giving songs intriguing titles, hence “Monica Is Taller Than Me” rather than just “Monica” which was its working first title.

We also looked at basing songs round everyday items rather than just grand themes. Those who were there may remember a set of lyrics I produced called “Clearing the Dishes Away”. And this is kind of similar. An unusually tall waitress who ends up spilling vegetables on the floor is not high drama!

What maybe pleases me the most is a resolution I made driving from Moniack. That was to stop writing bloody folk songs, to stop being a folk songwriter and become just a songwriter. I’d like to think this song meets that aim, at least to a degree.

Here are the lyrics, if of interest. The guitar bit is in DADGBD, capoed up to F.

Monica Is Taller Than Me (Tony Burt)

Monica is waiting on tables, Monica is waltzing through tables
As she moves all the eyes are drawn unto her
Monica is taller than me, three inches taller than me

She knows exactly what she’s doing, she’s in control of what she’s doing
I think she has noticed that I’m watching her
Monica is taller than me, looking right down on me

Her mouth is small, her lips are juicy
Her eyes, Scottish grey, her nose retroussé

Monica’s not really her name, in truth I don’t know her name
I have to call her something, I have to call her soon
Shooting for the moon, I’d just be shooting for the moon

Monica’s much younger than me, noticeably younger than me
I know that I can dream, but I’m really what I seem
Monica’s taller than me, thirty years younger than me

Her mouth is small …

Now she is down on her knees, clearing up carrots and peas
My evening’s nearly done, I’m not her kind of fun
She’s so much taller than me, she’s so much younger than me
Monica is taller than me

© Tony Burt 2014. All Rights Reserved.

PS – any guesses as to where the apparently random choice of “Monica” came from. I’ve only just realised myself!

Living Tradition Magazine : Review of People Watching CD

The Living Tradition Magazine

This review will appear in The Living Tradition magazine issue 130 due to appear 4th July 2019, You can access the magazine’s website here.

TONY BURT
People Watching
Mirror Blue Records  MBCD010

Let me tell you what I liked most about these self-penned songs, where Tony comes under the watchful gaze of multi instrumentalist, backing vocalist and above all producer of this album, Boo Hewerdine.  It is Tony’s powers of observation.  The content of the songs run the gamut, but very little seems to escape our Tony’s keen eye.

The songs get stronger as the album progresses, reaching their acme with Monica Is Taller Than Me, which was by some distance the best song on the CD.  It is a song that most men can relate to: after all, there are few of us who have not at some stage of our lives secretly felt attracted to a much younger waitress as we sat in a restaurant, as he does here.  I was also attracted by his song JJ’s Bar, and wanted to visit, until the last verse told me it was in Egypt and could be gotten to on the back of a camel…!!  Ah well, that’s not for me.  But if it was only in Skegness, Tony couldn’t keep me away.

Tony Burt’s voice never falters, and his accompaniment is pukka.  Push me to be a bit brutal and I’d say that the melodies seem a little formulaic. If Tony can capture the gift of composing really original melodies, then the sky’s still the limit, despite his mature years.

And finally, let me castigate him for just 33 minutes running time, and congratulate him on his ingenious rhyme of juicy/retroussé.

tonyburt.co.uk

Dai Woosnam

I think that’s a pretty interesting review! It shows Dai has listened to the CD, gets what I’m aiming at and is prepared to criticise constructively.

I’ve agonised over his comments on melodies and have some initial answers/conclusions. Firstly the overall sound is very “chord-driven” via the keyboards and drones as well as the stringed instruments being largely strummed. I have also started composing tunes before picking up an instrument. That way the melody is not limited by the range of the instrument or my ability to play it. I’ll certainly bear that comment in mind in future and hope Dai hears a difference on the next record..

As for the length of the album it was a deliberate choice to keep it short. Initially I had a tracklist of about 20 songs and would probably have needed six weeks in studio which could have required a double CD and meant meant selling my home and cashing in my pension.

Boo persuaded me that would have been a vanity project. Being somewhat unheard prior to this CD the aim was to keep it short enough for people to listen all through and maybe even want more. What do you think?

Even so it might have lasted 40 minutes but for some pretty ruthless final editing. We sacrificed rambling instrumental solos, verses that failed to drive the song forward and unnecessary repeat choruses. The end result was much tighter and has more impact. This was one of many areas where Boo’s input was invaluable.

If you’d like to hear what the reviewer heard click on the links below:

Artwork for People Watching CD

People Watching was my main musical project for 2018, culminating in its launch early in 2019.

I am especially proud of the album artwork which was designed by Martin Rowsell of of Simply Marvellous Music.

The main image on the front is “Barmaid in Black Velvet” by the late Norman Neason RWS, RBSA. Copyright Neasom Fine Art and used by kind permission.

Norman was a wonderful artist and you can see lots of his work here. It really is worth a look.

A lot of my songs are inspired by watching and observing real people. The title track of “People Watching” was written in the Kings Arms Cleobury Mortimer and Norman’s painting sums up the time and place.

Here are are the main cover images:

people watching cd front cover

You can buy the cd and see the cover in all its glory here. There is also a 16 page colour booklet with biography, photos and song lyrics.

Turning My Blind Eye On You

This is the opening track on my new album “People Watching”. When I wrote it I’d been listening to lots of early Bert Jansch and think I detect a bit of hommage to him in the structure of it.

turning my blind eye on you by tony burt

I’ve always played it with an acoustic guitar plus maybe a bass and fiddle. But this version is somewhat different with Indian harmonium, mandola and drums. I had great fun with Boo Hewerdine and Chris Pepper in rearranging the song in a radically different way.

As for the lyrics I imagine they are fairly self evident. A bit of a “hobo” song – “I gotta be moving on” but tinged with regret, even a helping of false bravado! Enjoy it!

… the song

I’m turning my blind eye on you, I’m turning my blind eye on you
I must be moving on that’s what I do
I’m turning my blind eye on you

You used to be my lover but no more, you used to be my lover but no more
You think that I’m still watching, I’m walking out the door
Used to be my lover but no more

You used to fill my thoughts but you’re gone, you used to fill my thoughts but you’re gone
My mind is for my own use from now on
You used to fill my thoughts but you’re gone

That’s why I’m turning my blind eye on you, I’m turning my blind eye on you
I must be moving on that’s what I do
I’m turning my blind eye on you

I don’t regret a moment that we had, I don’t regret a moment that we had
I just had to find my own love, I didn’t mean to make you sad
Don’t regret a moment that we had

But now I’m turning my blind eye on you, I’m turning my blind eye on you
I must be moving on that’s what I do
Turning my blind eye on you
Turning my blind eye on you
Turning my blind eye on you

… the writing

I think it might have been in 2011 when I wrote this but not quite sure. What I do know is that it was a sunny Sunday afternoon sat on the patio with a bottle of cold white wine, one of my most effective writing companions!

Here’s a live performance of the song from 2013:

Read more on Bandcamp.

People Watching : Official Launch

people watching tony burt

Artist – Tony Burt

Title – PEOPLE WATCHING

Label – Mirror Blue Records MBCD010

For immediate release

Since the 60s Tony Burt has sung and played in folk rock, traditional Irish and 60s covers bands as well as solo appearances in clubs, pubs and at festivals. Since 2005 he has shifted focus to writing and composing his own songs.  His thought-provoking work is based on a deep understanding of English, American and Celtic folk melodies and admiration for the poetic lyrics of Bob Dylan, Richard Thompson and many other greats.

Tony explains: “I want the words of my songs to grab the attention of the listener. Sometimes with ambiguity, sometimes with startling imagery, sometimes with an unexpected rhyme – or even the absence of rhyme”

Tony’s latest record, “People Watching”, comprises ten original songs, produced by Boo Hewerdine and recorded by Chris Pepper at Saltwell Studio, near Huntingdon. Tony sings and plays guitar and mandola. Boo adds an array of string and keyboard instruments, along with backing vocals, with Chris adding percussion in places.

The title track, “People Watching”, was written in the Kings Arms, in Cleobury Mortimer, near Ludlow. “I find people fascinating and by quietly observing I can invent original stories which, whilst not factual, can be true to life. It’s also a great pub and I spent 2 or 3 happy and creative sessions in there”

“Monica Is Taller Than Me” tells of an unusually tall, elegant and refined waitress encountered in a slightly old-fashioned Scottish Borders restaurant. “I’m too old to chase girls now so this is an example of wistful, lust-free admiration with a hint of nostalgia for earlier days”

“The Village” was inspired by the harrowing story of Freddie Spencer Chapman who fought behind enemy lines in Malaya in the 40s together with local partisans. “Rock Me In your Arms” stems from occasional bouts of depression with the core message: “I’m in the dumps, gimme a cuddle!” “JJ’s Bar” recalls happy times in a remote rock music venue in Luxor, Egypt.

The lyrics of “If I Were A Wish” were written as a poem by Tony’s wife, Brigid, some years ago. Tony observes: “Within minutes of seeing the words the song emerged. When we first ran through it in the studio Boo pointed out it sounded a bit like the Moody Blues so we added the mellotron part which to me sounds spot on!”

“It was a great experience recording with Boo and Chris” says Tony. “We worked hard at polishing the sound but also had time for plenty of laughs along the way”

All the songs on PEOPLE WATCHING are by Tony Burt except “If I Were A Wish” – lyrics by Brigid Burt, music by Tony Burt. Apart from Tony on acoustic guitar, mandola and vocals he’s joined by Boo Hewerdine on backing vocals, acoustic and electric guitar, mandola, mandolin, ukulele, harmonium, dulcitone, marxophone, mellotron, melodica, harmonica and Chris Pepper on drums, percussion.

Cover design by Martin Rowsell at Simply Marvellous Music and the front cover image, ‘Barmaid in Black Velvet’ is by Norman Neasom RWS, RBSA.

For more information and the latest tour dates, please visit tonyburt.co.uk

For all media enquiries, please contact James Soars 01536 720245/07758781032 Email.  [email protected]

The Village : Inspired by Freddy Spencer Chapman

The Village, track 7 on my People Watching album, was inspired by the story of Freddy Spencer Chapman, a little known hero of WWII, sometimes referred to as “Lawrence of the Jungle”.

Freddy Spencer Chapman

Freddy was a well known naturalist, explorer, mountaineer and all round “good egg” who was enlisted in the British Army to build a presence behind Japanese lines in Malaya in 1942. He led and lived with Chinese Communist guerillas, sharing immense hardship with them whilst inflicting a serious degree of mayhem on the enemy.

He survived the war by the skin of his teeth and eventually made it back to England where he had an illustrious career as a headteacher and educationalist. With his health failing he committed suicide in 1971 to avoid “being a burden on his wife and family”.

I found his story compelling and it inspired me to write “The Village” in memory of the forgotten patriots who fought alongside him from 1942 to 1945.

… the song

In the village in the forest, they’re gathering their forces 
To march against the soldiers, who killed family and friends 
Young girls preparing rations, old women tearing bandages 
Others cleaning weapons, mothers, daughters, wives 
They are fighting for the hatred, fighting for the anger 
Fighting for their manhood, they are fighting for their lives 

Every enemy they slaughter, will bring a retribution 
They don’t care about the consequence, they have clarity of mind 
They plan to blow up bridges, set fire to trucks and wagons 
Bring chaos to the barracks, bring down the dogs of war 
They are fighting for the hatred, they’re fighting for the anger 
Fighting for their manhood, they are fighting for their lives 

The enemy lies waiting, he knows of their intentions 
Caught in a deadly crossfire, they melt back into the night 
The stragglers are returning, no expression on their faces 
Was it traitor or coincidence that tore their hopes away? 
They are fighting for the hatred, fighting for the anger 
Fighting for their manhood, they are fighting for their lives 

They know the retribution will not be slow in coming 
Another burned out clearing, where a village used to be

… more about Freddy

To learn more about Freddy Spencer Chapman you could take a look at Wikipedia. Better still read Jungle Soldier by Colin Moynihan.

… the writing of the song

I was on holiday in Tias, Lanzarote in 2014. I’d devoured all the books I’d taken with me and so dug a dog-eared copy of “Jungle Soldier” off the villa’s bookshelves. I’d never heard of Freddy but the book really gripped me.

I half-woke about 6.00am the next morning with a sentence going around in my head: “In the village in the forest, they’re gathering their forces, to march against the soldiers who killed family and friends“.

Then over the next hour or so all the other words came to my head. I was terrified of losing them as I was still half asleep. I kept repeating them over and over, continually going back to the beginning and starting again. Finally I found the courage to leap out of bed, plonk myself at the table and scribble them all out.

I then went back to bed and slept deeply for a couple of hours. When I awoke I grabbed my guitar, added a simple melody and a few chords and that was it done.

I don’t think there were any edits from that initial “brain dump” through to the recorded version 4 years later. You may also notice that there is no rhyme in the lyrics, which is a little unusual.

… the first performance

Tony Burt at Bodenham Folk Club

I first performed “The Village” on my return from holiday at Bodenham Folk Club, between Bromyard and Hereford. I explained the influence of Freddy Spencer Chapman on the song and it worked pretty well.

At the end of my set I was approached by an elderly, very tall and distinguished looking gentleman who revealed to me he had received training from Freddy during his National Service days. Small world!

JJ’s Bar : from People Watching Album

JJ’s Bar is track 8 of Tony Burt’s new record People Watching. It relates to a music venue of the same name which was until recently in the village of Karnak to the North of Luxor in Egypt. It recently moved, although under the same name, to the west bank of the Nile opposite Luxor.

jj's bar luxor egypt
JJ’s Bar & Restaurant in Karnak

JJ’s Bar

Oasis in the city, desert in a storm
Pressure the exception, fluidity the norm
You can sing a ballad, you can play a reel
No room for obligation, it’s just the way you feel

At JJ’s … at JJ’s Bar, at JJ’s … be just who you are
At JJ’s … at JJ’s Bar, at JJ’s … you can be a star

Axel on the keyboard, Graham’s on the drum
Colin plays those sweet, sweet notes, progressive marathon
The world outside is ancient, the sound inside is new
Friendship everlasting, telepathy of the few

At JJ’s … at JJ’s Bar, at JJ’s … be just who you are
At JJ’s … at JJ’s Bar, at JJ’s … you can be a star

Note it in your diary, nail it to your wall
The next time you’re in Egypt it’s your first choice port of call
You can go by camel, you can go by car
Take a penny whistle, take a steel guitar

At JJ’s … at JJ’s Bar, at JJ’s … be just who you are
At JJ’s … at JJ’s Bar, at JJ’s … you can be a star

…more about JJ’s Bar

My good friends Dave and Vern Haigh have for many years owned a beautiful apartment on the banks of the Nile at Luxor facing the Valley Of The Kings. I have had the good fortune, on several occasions to spend time out there with them.

Back in 2012 (I think) they took me along to a music bar, up a dusty side street off the main drag in Karnak. This was my first of many visits to JJ’s Bar.

Not really in a tourist area it was surprising to see the main room dominated by a very large keyboard setup, various acoustic and electric guitars, congas and other assorted drums and a lively mix of locals, ex-pat europeans and the odd tourist.

The owners, Axel and Jules, created a great atmosphere, kept the beer flowing, rustled up great food.

axel & jules jj's bar luxor
Axel & Jules at JJ’s Bar

Axel is a superb keyboard player with a long pedigree in blues and prog rock bands. During a JJ’s music night he will play and sing on his own or with whoever turns up. In my earlier visits he was very much joined at the hip with rock guitarist Col Coleman. They provided eye-opening backing to some of my own songs that turned them from contemporary folk into rock ballads – some feat.

y burt at jj's bar luxor
Tony with Col and Axel at JJ’s Bar

…so where is it?

Up until a couple of years ago it was situated in Karnak, on the east bank of the Nile north of Luxor. It is now situated on the west bank opposite Luxor, at the Al Gezira Garden Hotel.

You can follow them, find out what is happening and how to find them if you visit their Facebook page here. Give them a Like or a message and say Tony sent you.

tony and axel
Happy times in Luxor

People Watching by Tony Burt

People Watching is my latest record released early 2019. You can stream all tracks for free, buy a digital download or a CD with my bio, lyric sheets and lots of images from my Bandcamp page.

New Album: People Watching by Tony Burt

I’m delighted to announce that my new album, “People Watching”, will go on sale early in December. It will be available as a CD as well as via digital download. The songs were mostly written in the past ten years although one goes as far back as 1973 (“Surely he can’t be that old”I hear you cry).

The recording and mixing was done in August and October this year by Chris Pepper at Saltwell Studio near Huntingdon. Boo Hewerdine produced the album and added a wonderful assortment of instruments, with Chris adding drums and percussion. Donal Whelan carried out the mastering at Hafod Mastering in the Vale of Glamorgan. I am so grateful to Boo, Chris and Donal for sharing their skills with me to produce a result I am hugely proud of.

You will be able to purchase “People Watching” very soon on this site.


people watching tony burtPeople Watching by Tony Burt
Released December 2018
MBCD010

Turning My Blind Eye On You  (2:42)
Fly Closer To The Sun  (3:13)
Devil’s Diamond  (3:29)
If I Were A Wish  (2:08)
Rock Me In Your Arms  (3:39)
Monica Is Taller Than Me  (3:43)
The Village  (2:57)
JJ’s Bar  (3:04)
The Ship  (3:28)
People Watching  (4:22)


All songs by Tony Burt
Except “If I Were A Wish” – lyrics by Brigid Burt, music by Tony Burt

Tony Burt: vocals, acoustic guitar, mandola
Boo Hewerdine: backing vocals, acoustic and electric guitar, mandola, mandolin, ukulele, harmonium, dulcitone, marxophone, mellotron, melodica, harmonica
Chris Pepper: drums, percussion


Produced by Boo Hewerdine – boohewerdine.net
Recorded & Mixed by Chris Pepper at Saltwell Studio – saltwellstudio.co.uk
Mastered by Donal Whelan at Hafod Mastering – hafodmastering.co.uk